Goal review

I've decided to do a monthly goal review. Roxanne St. Claire suggested this during the goal setting workshop she gave for CFRWA. Great idea. It will keep me on track for the big picture which is getting my PRO status and ultimately getting a publishing contract.

I've made some modifications based on the review of my goals.

I'm not changing my goals, other than the dates by which I want to accomplish them. However, for this month (Feb.), I've changed my focus. Here are the goals I'm aiming for this month.

Goal: Really find out where this story is going.
Objective: Get to know all my POV characters.... very, very well.
Tactics:
1) Determine just which secondary character POV's we'll see.
2) Complete a character worksheet for each POV character (The hero and heroine are done).
3) Do a character interview for each character. I have 3 pages each for the hero, heroine, and the villian, but I'd like to have more. Maybe 10 pages, but I don't want to put a page minimum or maximum on it. I just want to see what they have to say.
4) Figure out the GMC for each POV character.

Objective: Figure out the major plot points (By knowing my characters better, some points have already changed. I need to hammer this out.)
Tactics:
1) Spend time working on the suspense plot points. What are my 2 pinches in the middle and what is my supreme ordeal?
2) Work on the romance plot, keeping in mind to use each of the 12 stages of intimacy, albeit perhaps not in order. What will be the Romantic Supreme Ordeal? Will there be a reward or setback afterward?
3) Work on character arcs for the story, specifically understanding the hero and heroine's, which will braid through the romance and suspense plots.

I will count all words I write this week and throughout February toward my weekly total. I want to keep up with a challenge of writing a certain number of words per week, so that it becomes habit.

If I do that for the past week, I have 2800 as of this moment. Not bad, considering I have some more writing planned today. (My writing and goal week always ends on Sunday.) I hope to still reach 3500 by midnight.

Wish me well.

Macy
Talk to you tomorrow at Affairs of the Pen.

Suzanne Brockmann

"Some of the best romantic suspense writers today are most well-known for (say it with me) their characters. Just about everyone loves Suzanne Brockmann's heroes--particularly her Navy SEALs. And Brockmann herself says she writes around 80 pages of backstory for each of her characters before she even gets to the first actual page of her novel." Tracy Montoya in her Polishing your Manuscript: Pushing yourself from Unpublished to Published workshop at Kiss of Death (RWA's Romantic Suspense Online Chapter).

Okay -- say it with me -- What the hell? I love Suzanne Brockmann. I just started Flashpoint. I'm listening to it on the unabridged CD in my car while I drive to and from the bill-paying job. Her characters are so real. It truly is one of the great things about her writing. However, I'm 1/3 of the way into the second CD out of 11, and I've already met 4 POV characters. (Say it with me -- 4 x 80 = 320 pages before the first page of the story.) The last book of hers I read (also on CD) was Hot Target. Very, very good. (5 POV characters, if I remember correctly, for 400 pages of backstory before the first novel page.)

Of course, this explains why she is so very good. It also explains why (although I love her books and have been known to drive around my block several dozen times while listening to her because I can't go home until I find out what happens) I'm always a bit depressed when I read her. To me, she's a gold standard in romantic suspense. She writes a book about her characters just for her before she writes her book. I think I have 10 pages of character stuff (backstory) total for my 4 POV characters.

Apparently, I'm just a little behind. (And here I am typing this blog instead of doing the last 100 words I need to get tonight.)

Ah, well. The point of taking this class (in which I'm largely just lurking and printing the lectures for later use) was to find ways to go from unpubbed to pubbed. It's good to know Suzanne Brockman's way to write, but I can quite honestly say, I won't ever write 80 pages of backstory for one character. I'm not sure I could write 80 pages of backstory about me and I've known me for, well, many, many years.

There's a point when you just have to write and quit worrying about how everyone else does it. I'm there. And I'm also off to finish those last 100 words for tonight.

.... And maybe, just maybe, add a bit more backstory to my character worksheets.

Macy